Monday, March 30, 2009
Fragments
This relates back to my above ground space where it is constructed by fragments - how he creates custom mosaics and arranges them on book covers, tags etc.
Thursday, March 26, 2009
Tuesday, March 24, 2009
Material and Production Methods of the Artworks
Hall's Pett Level England (28 x 28cm) is a gelatine silver photograph It was a photograph taken during her the period of her early works (1974-1978). During this time, her work moved away from merely documenting, but more personal/less defined images.
Stairs
Monday, March 23, 2009
Remake of Underground Space - Skeletal
3rd Remake of Underground space [My 2nd week remake of models - both which were underground]
An overview of the complete model - In these images i wanted to show how the space is actually cut within the earth, and the contours of the earth would actually form the limits of how the viewer experiences the space.
In these images I wanted to highlight the contrasts between the thick and thin beams, as well as the cage like constructions.
The person within the space would first experience the skeletal quality of the thin beams as he/she is in the indented part of the base. As the viewer walks out of the indented area to the stairs (as directed by the cage like constructions), they will notice the thick beams extruding from the earth and into the base itself. I think the thick beams would be 'skeletal' when juxtaposed to the large void area under the ground. The cage like constructions also serve to block the view of the viewer while they're experiencing the thin beams when they're within the indented area.
<2nd>
Well.. I don't have much to say here, but ended up scrapping this one :P Thought I would just include it here to show the 'evolution' of my underground space.
An overview of the complete model - In these images i wanted to show how the space is actually cut within the earth, and the contours of the earth would actually form the limits of how the viewer experiences the space.
In these images I wanted to highlight the contrasts between the thick and thin beams, as well as the cage like constructions.
The person within the space would first experience the skeletal quality of the thin beams as he/she is in the indented part of the base. As the viewer walks out of the indented area to the stairs (as directed by the cage like constructions), they will notice the thick beams extruding from the earth and into the base itself. I think the thick beams would be 'skeletal' when juxtaposed to the large void area under the ground. The cage like constructions also serve to block the view of the viewer while they're experiencing the thin beams when they're within the indented area.
<2nd>
Well.. I don't have much to say here, but ended up scrapping this one :P Thought I would just include it here to show the 'evolution' of my underground space.
Tuesday, March 17, 2009
Wednesday, March 11, 2009
Sunday, March 8, 2009
Saturday, March 7, 2009
A piece of artwork by me
Something Beautiful
Zaha Hadid
Contemporary Arts Center
This is the Contemporary Arts Center, located in downtown Cincinnati, designed by Zaha Hadid. It was completed in spring of 2003. I like how she uses different materials, e.g. concrete - creating a sense of mass, lighting combined with the building's translucent skin creating a sense of liveliness within the building.
This is the Contemporary Arts Center, located in downtown Cincinnati, designed by Zaha Hadid. It was completed in spring of 2003. I like how she uses different materials, e.g. concrete - creating a sense of mass, lighting combined with the building's translucent skin creating a sense of liveliness within the building.
Subscribe to:
Posts (Atom)